Tuesday, December 15, 2015

Announcement Trailer "Fantastic Beasts and Where to Find Them" For Hits The Web


The magic continues!

The first official announcement trailer for "Fantastic Beasts and Where to Find Them" has finally dropped online and, although it doesn't show much, it is already a promising start for this new prequel story. The film has absolutely nothing to do with the characters in the "Harry Potter" franchise, which enables to film to breathe new life into its story, making it feel fresh.

Overall, there's much to talk about here but I can't wait to see this film!

Watch the announcement trailer here: https://www.youtube.com/watch?v=Wj1devH5JP4

Monday, December 14, 2015

What's Wrong With "Fantastic Four" (2015) - Review

NOTE: I've just seen the film recently now that I am back in America and it is out on Digital HD so this review is very late. I just wanted to share with you my thoughts on the "Fantastic Four" reboot with this extensive article. Apologies for taking so long to talk about this.


The Fantastic Four. The first superhero team in comic book history, created by Stan Lee along with artist Jack Kirby. They first debuted back in 1961 in their own comic series and ran until this year with issue #645. The Fantastic Four consists of four superhero: Reed Richards (Mr. Fantastic), who has the ability to stretch this entire body; Sue Storm (Invisible Woman), Reed's love interest, capable of turning invisible and creating force-fields; Johnny Storm (the Human Torch), Sue Storm's brother who can manipulate fire and fly; and Ben Grimm (The Thing) who has turned into a large stone-like monster. It was because of these four charming individuals that Marvel Comics has turned from a small division of a publishing company to [arguably] the biggest name in the comic book world.

Since 1961, comic books have made their way into the world of cinema with big screen adaptations of "Superman" and "Batman" leading the charge for a new wave of superhero flicks in the 70's and 80's. After "X-Men" and "Spider-Man" revived superhero films from obscurity, with films like "Batman and Robin" and "Steel" almost killing the genre, we've been blessed with dozens up dozens of films that were, for the most part, top quality stuff. The sequels to both "X-Men" and "Spider-Man", "X2: X-Men United" and "Spider-Man 2" respectively, grossed more than their predecessors and were hailed by critics as some of the genre's finest works. Then Christopher Nolan dropped his metaphorical mic with his dark and gritty take on the Batman in an origin story, "Batman Begins", in 2005, which garnered universal acclaim from fans and critics alike. Afterwards in 2008, Kevin Feige of Marvel Studios launched their Marvel Cinematic Universe with "Iron Man" starring Robert Downey Jr. as the titular character. A mere 2 months after "Iron Man" debuted in America to stellar reviews, praising the film's actor, writing and action scenes, Christopher Nolan's "The Dark Knight", the sequel to "Batman Begins", became one of the highest grossing films of all-time and was the first superhero film to be nominated for a non-technical Academy Award, for Heath Ledger's now iconic performance as Batman's arch-nemesis the Joker. Ever since "The Dark Knight" stunned audiences across the world, film studios were more keen on making superhero films, not just entertaining, but quality films. Rarely did we get a film with the likes of "Superman IV: The Quest for Peace" in the past few years. In our new golden age of superhero films, we did get films like "Green Lantern" or "Jonah Hex" but for every bad comic book movie, we got films like "The Avengers", "Man of Steel", and "X-Men: Days of Future Past" that proved critics and audiences that the superhero genre is meant to be taken seriously.

And now in 2015, we've had an amazing roster for highly anticipated films that included "Star Wars: The Force Awakens", "Avengers: Age of Ultron", "Jurassic World", "Mad Max: Fury Road", "Spectre", "Ant-Man", "Furious 7" and more. In a time when sequels, prequels and reboots are all the rage in Hollywood, filmmakers are trying their hardest to make their entries in their respective franchises memorable and/or great. Because of this, we got films like "Mad Max: Fury Road", which is now being hailed as one of the greatest action films of all-time and has won the National Board of Review Award for Best Film. The days of films like "Independence Day", "Twister", "Godzilla (1998), "Deep Impact", "Die Another Day" and "The Day After Tomorrow" winning at the box office were over, so naturally my expectations for a new "Fantastic Four" film were set to a pretty high standard. A new superhero film reboot with a talented cast and the director of "Chronicle"? What could go wrong? Little did I know that everything that could possibly go wrong went wrong...


Before we begin talking about the new reboot, I'd like to briefly touch upon the 2 previous films that 20th Century Fox produced in 2005 and 2007. "Fantastic Four" starred Ioan Gruffudd, Jessica Alba, Michael Chiklis and Chris Evans (yes, Captain America) as the titular characters. While Jessica Alba was clearly out of her element in the film, I found that the rest of the cast was pretty solid. Granted they never had nothing interesting to say or do in the film due to bad writing, they were all fairly likable as their respective characters in the films (again, aside from Alba). While the 2007 sequel, "Fantastic Four: Rise of the Silver Surfer", is only a fraction better than its predecessor, the franchise was in need of something fresh. And with Marvel Studios and DC Comics launching their cinematic universes, Fox was clamoring to find a way to throw their hat into the mix with a new reboot.


Now there's no way I can talk about "Fantastic Four" without addressing what happened behind the scenes of this film. After Josh Trank impressed Fox with his directorial debut "Chronicle", which received generally positive reviews and grossed $126.6 million on a $12 million budget, he was tasked to direct the reboot of the "Fantastic Four" with screenwriter Jeremy Slater. Then on October 2013, Simon Kinberg, who produced and co-wrote "X-Men: Days of Future Past", was hired to co-write and produce the film. It appeared that Frank and Kinberg developed the story together and was going for a sci-fi horror type tone, citing David Cronenberg's "Scanners" and "The Fly" as their major influences. After finishing the script, actors Miles Teller, Kate Mara, Jamie Bell and Michael B. Jordan were cast as the Fantastic Four themselves, which was not received well by fans due to their young age. Despite all that, and hearing rumors of Doctor Doom (played by Toby Kebbell) being an anti-social hacker, I stayed optimistic about the film, believing in Josh Trank's company and the studio behind them.


The film began principal photography on May 5, 2014, in Louisiana, and ended on August 23, 2014, lasting for 72 days. However, it was reported that during filming, producers Hutch Parker and Simon Kinberg rewrote Trank's original script and made many other last minute changes, which resulted in a completely different ending to the film. Other reports have been circulating online of Josh Trank's erratic behavior on set, claiming to be indecisive and not communicating with the other filmmakers. Then, on top of all of this, reports of massive reshoots that were made, without Trank's supervision, surfaced; saying that the studio was unsatisfied with Trank's original cut of the film. The reshoots were apparently done under Hutch Parker and Simon Kinberg's supervision; shooting over 40 pages of additional material. These reshoots are... *extremely* noticeable. To a painful degree. One of the most glaring and inexcusable mistakes is what they've done with actress Kate Mara's hair.


Her hair color in the film will switch between her natural hair color (seen on the right) to a very obvious wig (seen on the left) as Kate Mara would enter one scene with one hair color and leave the scene with a different hair color. The same also happens to actor Miles Teller, who's facial hair, at times, changes from scene to scene.

It seems that the film was already facing a million different problems and it wasn't even time to edit it yet. And once editing for "Fantastic Four" began, it was reported that Josh Trank was locked out of the editing room, which would explain why there is almost no sense of coherence in the film's storytelling. It was also reported that 3 major action scenes were cut out due to budget constraints. The scene in the trailer where we see The Thing dive bombing out of a helicopter is no where to be seen in the film, again, most likely due to a lack of production time and budget. Why the scene was put in the trailer, I will never know...


But action scenes weren't the only things that were cut from the film. The first official teaser trailer for "Fantastic Four" indicated that the film will be released in RealD and Digital 3D, however the 3D conversion was scrapped during post production, possibly due to time and budgetary reasons.


In response to the cancelation of the 3D conversion, Trank said that he "want the viewing experience of 'Fantastic Four' to remain as pure as possible for the audience, which means in 2D, just as we shot the movie." Without knowing any of the film's productions problems, it is already strange to see a major motion picture cancelling their 3D conversion plans, especially in a time when 3D ticket sales are at its highest point.

And strangely enough, before "Fantastic Four" was even released to the world, 20th Century Fox has already greenlit a sequel to the film that was originally slated for a July 14, 2017 release date, which is now taken by highly anticipated "War of the Planet of the Apes"; meaning that Fox, at some point, had a decent amount of confidence in the film's chances at the box office.


But as the film's release date came closer and closer, film critics and movie fans were uneasy when it was reported that Fox would not allow critics to see the film until its release. It was also not very reassuring when we heard that even the main cast members haven't seen the final cut of the film until the world premiere on August 4, 2015 in New York City. And to add fuel to the fire, Josh Trank, one day before the film's release, took to Twitter and posted this tweet concerning the final cut of the film:


Although not direct, we can infer a lot from this one tweet, which was soon deleted by Trank (or someone who has access to his Twitter account). After this tweet, fans were left to ponder what really happened behind closed doors on the set of "Fantastic Four". Was Trank forced to give up creative control of this project about a year ago, which resulted in other people tainting his story? Or was he the cause of all of this mess? Unless you worked on set of this film, you will never know. What we do know is that the film lacks in quality because of these numerous production problems as it is beyond messy, with continuity being something that is consistently ignored and the special effects looking like something that was done in the 1990's.

We all would love to see the "real" version of this new reboot (screenwriter Jeremy Slater revealed a lot of what he wrote in the original screenplay was not in the finished product and that the film would've had Galactus, Dr. Doom and Mole Man as the main villains), however we must face reality, like Josh Trank said, and review what we have in front of us.


The film begins in Oyster Bay, New York in the year 2007 as a young Reed Richards (Owen Judge) talks to his fellow classmates and his teacher about his dreams of being "the first person in human history to teleport himself." Naturally, all the kids in the class, including the teacher (Dan Castellaneta), shun his fantastical aspirations. While everyone in the class laughs at Reed, a young Ben Grimm (Evan Hannemann), sitting in the back of the classroom, intently listens to his impossible ideas.

Later that night, when Reed is looking through the Grimm family junkyard, Ben finds him and agrees to help him finish his prototype teleporter. In Reed's garage, the experiment with the machine and successfully teleports a model car to another unknown location.


7 years pass as Reed Richards (Miles Teller) and Ben Grimm (Jamie Bell) presents their completed teleporter at a 48th annual Nassau County Science Fair. The same teacher from the opening scene, along with the science fair judges, disqualifies Richards' machine; calling it a magic trick. However, the invention catches the eye of Dr. Franklin Storm (Reg E. Cathey) and his adopted daughter Sue Storm (Kate Mara). He recruits Reed to his government-sponsored research organization, the Baxter Foundation, to continue his work and to complete the Quantum Gate, a prototype teleporter that was designed by Dr. Storm's former protégé, Victor von Doom (Toby Kebbell).


Already the film's tone switches from being a Spielberg-esque sci-fi drama starring children to a light-hearted rom-com, with Richards flirting with Storm in the Baxter Foundation library (probably one of the most cliche places for young adults to flirt in). Very rarely does this first act have any genuine moments with these characters, and even when the film has a chance to create an interesting dynamic, they completely lose sight of it. For example, when Reed moves into the Baxter Foundation, he is leaving his childhood friend, Ben, behind to become a greater and smarter man. They have a very short good-bye in Reed's new dorm but that could have been a very emotional scene if we got a chance to know these characters more.

Another issue with the film is the portrayal of Victor von Doom. While Kebbell is a more than capable actor to play the part, his anti-social shut-in hacker character is not faithful to the original character. Granted, he doesn't have to be the leader of Latveria, a fictional nation in the Marvel Comics Universe, but at least make him menacing or physically imposing compared to the other members. Here, he just looks like any other Internet hacker and we've seen plenty of those in other films. The writing and direction, not the actor, is to be blamed here.

Anyway, the film continues as Dr. Storm reluctantly recruits his biological son, Johnny Storm (Michael B. Jordan), to complete the Quantum Gate. After Johnny comes into the labs, there is an extensive montage sequence of Reed, Sue, Johnny and Victor working on the gate, and here lies one of my major problems with the film. In another superhero film, "Iron Man", we were able to connect to, not only the character, but to the machines that he built because we were emotionally invested in what he was making. Here, we don't really care about this Quantum Gate. We don't any time to be emotionally invested in this invention. And during this montage, there is a particular shot that looks a heck of a lot more interesting than the entire sequence:


Here is the entire team eating Chinese food, chatting and having a good laugh. Why wasn't this scene extended? Much like the scene in "Avengers: Age of Ultron" where all the superheroes attempt to lift Thor's hammer, there could be a sense of levity here that might have added some interesting character interactions. Because we don't know any of these characters, we are not emotionally invested in anything or anyone (this is a phrase I'll be saying over and over again in this review). With a well written scene of them just talking and being their characters, we can relate to them more and get to know them better so that when certain events down the line occur, there is some emotional weight to it. But this scene that could've been a nice way to get some character interactions going was just completed wasted. Brilliant.

And then there's this bit during the montage...


This hurts me on an emotional level. Reed Richards, the Mr. Fantastic, is taking a selfie with a model of his invention... I just don't know what to say here. Yes, it's nice to see him connecting with Ben with this picture, texting him that he couldn't have done it without him, but again, we aren't invested in their relationship so this scene doesn't feel as sweet or, if this was meant to be comedic, as funny. And Jamie Bell's reaction to the text in the film was cut way too short. We could've had some more insight to what he felt about Reed's new operation. This is the first time that Ben was not a part of this project so wouldn't he bit a lonely that he can't be with his best friend during this big moment in his life? The drama is completely missing from the film and it just keeps on going like nothing ever happened.

During the last segment of the montage, we get a moment of Reed and Sue flirting at the lab as Victor watches from afar with a sad look on his face. Even though his feelings for Sue are hinted at in a previous scene, this moment feels like it's coming out of left field and derails the film entirely. Is it necessary? If you deleted this scene, would it change the film? Not at all. So why include it? I guess they wanted to shoe-horn a romance in this somehow but this is very sloppily done.

After the montage ends, the Quantum Gate is complete as the researchers begin organic testing. They first send a chimpanzee through the gate and it is a success. The chimpanzee safely returns to the lab and they receive visual data from the unknown dimension they named "Planet Zero". Seeing that the project was a success, Dr. Allen (Tim Blake Nelson), one of the Baxter Foundation's supervisors, decides to give the gate to NASA where they will begin sending humans to Planet Zero. Down on their luck, Victor, Reed and Johnny, while drunk, decide that they want to be a part of history and plan to go to Planet Zero without letting Dr. Storm and the others know. 


This may honestly be the only genuine scene in this entire movie. 3 talented actors interacting with each other as their characters, talking about their feelings and what they stand for, instead of just spitting out exposition after exposition. But this scene ends way too quickly and doesn't have good enough writing to sustain itself, rendering it almost pointless. This scene is entirely driven by the charm and likability of these actors.

Before embarking on their mission, Reed calls Ben to come to the Baxter Foundation to join them on their mission. Reed, Ben, Johnny and Victor go through the Quantum Gate and onto Planet Zero, where they discover a mysterious green substance that seems to harness some sort of energy.


When Doom attempts to touch the mysterious green substance, the surface of Planet Zero begins to erupt as the crew desperately tries to make it back to the gate. While Reed, Ben and Johnny make it back, Victor falls into the mysterious substance and is presumed dead.  Meanwhile on Earth, Sue tries to get the crew back to the Baxter lab, but as the gate travels backs to Earth, it explodes and mutates Reed, Ben, Sue and Johnny on a molecular level, giving them superpowers. Once they are all captured by the military, they are sent to a classified base where they are placed under custody and tested.

The 4 members all exhibit the iconic superpowers they are all known for. Reed being able to stretch, Sue being able to turn herself invisible and create force fields, Johnny engulfing his entire body in flames and being able to fly, and Ben turning into a rock-like humanoid creature.

The special effects used on the Fantastic Four themselves are, for the most part, pretty well done. The computer generated The Thing, animated and rendered by the Moving Pictures Company, looks absolutely fantastic. Never before has The Thing looked so life-like in a motion picture.


The fire effects on the Human Torch, also done by the Moving Pictures Company, are also fine. However, I can't honestly tell which of the films did it better, this one or the previous two...


Sue as the Invisible Woman clearly had the easiest effect to achieve, however they don't cheapen it at all. Pixomondo provided the effects for her force fields and invisibility, which are definitely upgraded from the previous two films.


And there's Mr. Fantastic himself... Why did you make him look like actual rubber? I know his main power is to stretch like rubber but why are these effects not rendered properly? Weta Digital, the company responsible for the Oscar-winning effects of "The Lord of the Rings Trilogy" and "King Kong", animated the Reed Richards stretchy effect and... it honestly doesn't look like something that belongs in a post 2010 blockbuster film... Just atrociously bad.


Moving on.

During their containment, Reed is able to squeeze out of his constraints and escapes the base, leaving his other teammates behind. Once gone, Dr. Allen uses this opportunity to begin using The Thing as a government weapon in various covert operations.

An entire years passes as Dr. Allen plans to open the Quantum Gate once again to create an army of super soldiers, after The Thing being a complete success.

Now, here we face another problem. Why did the film just skip an entire year?! The film just cuts to black right after Ben agrees to work with the government and the only bits of information we have of what happened in that year is a title card reading "1 Year Later" and some archival footage of The Thing's missions as Dr. Allen narrates overtime to a boardroom. Hell, the covert operations involving The Thing sounds like a more interesting movie than the one we are already watching. You had so much potential to create new character dynamics and dilemmas with Ben taking orders from the government, but no. The film decides that it wants to skip over everything and explain it through dialogue. Great. Because more expositional dialogue is what this film needed. And in this entire year of plot the film decided to skip through, the other team members are able to control and harness their powers with ease... But just a few minutes prior, they were completely unstable and uncontrollable, so how were Sue and Johnny able to control their new abilities? How long did it take? What have they been doing the whole year in Area 57? None of these important questions are answered, leaving us with only scraps of dialogue and archival footage to work with. This is just sloppy filmmaking.

Anyway, the plot continues to rear is ugly head as Dr. Storm tells Sue that she has to find Reed in order to save everyone from the clutches of the government. Reed, hiding in Central America, is eventually caught by the U.S. military and Ben and is taken back to Area 57.

This scene between Reed and Ben actually does build their characters and their dynamic to a progressive point, which felt natural. There is finally a scene with some genuine emotion and not more dry exposition. It took time to let the film breathe for a moment and let the emotional weight of the story sink in for once.


Once back in Area 57, Reed is soon put back to work by Dr. Allen who wants him to complete the 2nd Quantum Gate in exchange for a cure of some kind for their mutations. He reluctantly agrees and finishes the gate and allows a new team of people to travel to Planet Zero. In the desolate outer-dimension, they come across a deformed Victor, who has somehow fused with the mysterious green substance. Thinking Victor needed medical help, the scientists bring him back to Area 57 for questioning but he quickly escapes and begins exploding... everyone's... heads...


I think we've all heard the complaints by now. "He doesn't look like Dr. Doom!" "He's not menacing enough!" "He looks dumb!" We've all heard them so I don't know what more I can add to this argument. The only thing I can really say is is that this design would be cool and unique if it were in an original sci-fi alien film but this is Dr. Doom! One of the biggest and baddest villains of the Marvel Comic Universe and this thing is the design you went with? Who designed this? Who approved this? There are just so many things wrong with this design, I honestly don't know where to begin.

But as the film progresses, Victor, now going by Doom, sees humanity and Earth as expendable so he plans to destroy the human race to rebuild Planet Zero through a portal energy beam. Before entering through the Quantum Gate, Doom kills Dr. Storm in front of Sue and Johnny as he enters Planet Zero.  Our four main heroes, enraged by the death of Dr. Storm, chase after him through the portal and arrive on the planet.


And here we go... HOW ARE THEY EVEN BREATHING?! THIS IS AN ALIEN PLANET AND THEY CAN JUST BREATHE NORMALLY WITHOUT ANY SPACE HELMETS ON?! Then what was the point of all those containment suits they wore when they first entered Planet Zero? How could they just breathe in this alien atmosphere all of a sudden? I can buy that Doom can breathe and interact with this new environment because his entire body was fused with the alien substance, but how are these 4 still able to breathe on this alien planet?! It's so infuriating! Did the filmmakers not care for logic or common sense when making this film?

Nevertheless, the Fantastic Four and Doom have a very short and generic fight on this desolate planet that you are not emotionally invested in with a blue light shooting up into the sky. We already had "Iron Man" and "Man of Steel" pull off the beaming blue light shooting up into the sky so we don't need more of this odd cliche. The logic of this entire fight sequence, which is actually the only action set piece in this entire film, is just to punch hard and when that doesn't work, punch harder. It really does feel like a 2nd grader wrote this scene.

After some more punches and squabbling, Ben punches Doom right into the portal, disintegrating him. Doom, presumed dead, is stopped as Johnny closes the portal and they all return back to Earth.


Once arriving back in Area 57, they are hailed as heroes and are rewarded with their own military base of operations. It is there that Reed decides that they need a name for there new team, calling themselves the Fantastic Four, after hearing Ben use the word 'fantastic' when describing their new base.

Roll credits.


Well, that was it. Everything wrong with the 2015 reboot of the "Fantastic Four". Now, I'm not going to sit here and say that it was all bad. The four main leads are incredibly likable and talented young actors who embodied their roles with a certain level of dignity and strength. The clear homages to Cronenberg's "The Fly" and other body horror films are also something that most film fans would probably enjoy seeing, which also gave this film a very distinct look and feel to it. However, everything else just does not work. The writing, the directing, the editing, the special effects and the list goes on and on. It's almost amazing how this film even got made after hearing all the project problems its had, but why did it have to be this story? The Fantastic Four deserve a good film and we've been waiting for a long time to see a faithful, entertaining adaptation of the first superhero team ever. Hopefully Fox will revert the rights back to Marvel Studios so that they can take a crack at the iconic 4 and let them join the Avengers in the future.

What did you think of "Fantastic Four"? Fantastic or not fantastic?

"Star Trek Beyond" Trailer Released


To boldly go where no one has gone before.

The first official trailer for "Star Trek Beyond" has hit the web and it has gotten mixed reactions from the fans. Many were concerned with the tone of the film due to the song "Sabotage" by Beastie Boys being the main theme for this new trailer, however I can't help but feel like the fans are being too skeptical about this film. This looks to be a fun, adventure film that feels a lot closer to the original television series its based on. Exploration, weird planets, obscure alien races to meet and/or fight. Looks to me like a classic "Star Trek" film.

I think we should hold of on our reservations for the film until we actually see it next July.

What did you think of the trailer?

Sunday, December 13, 2015

"Independence Day: Resurgence" Trailer Released


"We always knew they were coming back."

The first official trailer for "Independence Day: Resurgence" was released today, showing some of the fan-favorites from the original coming back to stop the aliens once again. Jeff Goldblum, Bill Pullman, Judd Hirsch and Brent Spiner all return as their respective characters from the 1996 original film to battle the revenge-seeking alien race.

"Independence Day" is probably my biggest guilty pleasure film and it probably is for a lot of other people as well, so naturally, when Fox announced the sequel, people got really worried that it wouldn't capture the same over-the-top nature of the first film that made is so lovably dumb. However, it seems the filmmakers are doing the absolute best they can with the sequel and are working hard to make it seem like an fun entertaining flick. The effects are decent, the new cast seems pretty serviceable and it looks to be an all-out war on more of a global scale. Looks very impressive and I'm excited to see the film next year.

Watch the official trailer here: https://www.youtube.com/watch?v=LbduDRH2m2M

Saturday, December 12, 2015

"X-Men: Apocalypse" Trailer Drops Online


The age of Apocalypse is coming.

2016 is already jam-packed with highly anticipated superhero films, including "Batman v. Superman: Dawn of Justice", "Captain America: Civil War", "Deadpool" and "Suicide Squad", and now 20th Century Fox is here to throw their name into the mix will be something colossal.


Teased in last year's, "X-Men: Days of Future Past", Bryan Singer returns to the "X-Men" franchise for the 4th time to bring the story of Apocalypse, the first mutant in human history, to the silver screen. "X-Men Apocalypse" continues where "X-Men: Days of Future Past" left off with the young cast that we've grown to known and love, first seen in 2011's "X-Men: First Class". While none of the original cast members (i.e. Hugh Jackman, Patrick Steward, Ian McKellen) return in this trailer, the focus on the younger cast looks promising and refreshingly new. The action set pieces look stunning with amazing visual effects shots and a tease at another Quicksilver scene.

It looks like Bryan Singer is going to knock this out of the park, despite fans not loving the Apocalypse design at first.

Watch the official trailer here: https://www.youtube.com/watch?v=COvnHv42T-A

Thursday, December 10, 2015

REVIEW: "In the Heart of the Sea"


Many of us, especially those in school, have read the tale of "Moby Dick", the iconic story by Herman Melville that tells the tale of Captain Ahab relentlessly trying to kill a white sperm whale, which destroyed his previous voyage and cut off his leg below the knee. It's a story that we've seen in countless parodies and re-adaptations throughout the last century, but director Ron Howard ("Apollo 13" and "A Beautiful Mind") took it upon himself to create a different version of the "Moby Dick" story and took from the pages of real life. Instead of adapting the famous novel, Howard opted to remaking the true story that inspired "Moby Dick" for the big screen. Does it hold any water or will it violently sink like the ship featured in the film? A little bit of both to be honest.

"In the Heart of the Sea" stars Chris Hemsworth, Benjamin Walker, Cillian Murphy and Tom Holland and is directed by Ron Howard. In the film, sailor Thomas Nickerson, played by Brendan Gleeson, recounts the story of First Mate Owen Chase (Chris Hemsworth), Captain George Pollard, Jr. (Benjamin Walker) and his crew, facing off against an angry bull sperm whale that tore their ship apart, to a young Herman Melville (Ben Whishaw), who would later write the story of "Moby Dick" based on Nickerson's story. Thankfully, under Ron Howard's direction, the film's standard yet traditional style of storytelling never felt contrived or tiring as the story progresses with its cast giving wonderful performances mixed with some breathtaking cinematography and visual effects. Chris Hemsworth continues to be a great leading man and Ron Howard never fails to bring hard-hitting dramatic moments, making the film one of the most heart-wrenching dramas of 2015. It is an epic tale that is both beautiful and haunting.


In 2013, Chris Hemsworth and Ron Howard collaborated together for the first time in the film "Rush", which centered on the rivalry between two race car drivers. Now in 2015, it seems that they both have done something even more incredible. Although the portrayed character of First Mate Owen Chase is something we've seen plenty of times before, Hemsworth brings his charm and physicality into his role and really sells every emotion and hardship this man is facing. Chase is a man of survival in this film and Hemsworth effortlessly portrays a man struggling to keep himself and his stranded crew alive. Without spoiling anything about the film (although this is a true story so if you've read any articles about these men, there really wouldn't be any surprises for you in this film), Hemsworth has really broken himself to play the role of Chase for the film. Bringing out the physicality of a man desperately trying to survive on the silver screen is definitely no easy task. In all, Hemsworth, while not having the most spot on accent in the film, was absolutely magnetic and was a driving force that kept the film sailing high and mighty.


Luckily, Chris Hemsworth was not the only one in the film giving one heck of a performance. Virtually everyone in the supporting cast gives it their all and really makes us believe the turmoils they are going through on this perilous journey. The one surprising performance that caught me completely by surprise was from actor Tom Holland, who many of you know will be playing Spider-Man in the Marvel Cinematic Universe. Holland, who plays a younger Thomas Nickerson, brought a sense of innocence and youth into the film and stole every moment he was on screen. Usually having an actor so young in a film like this would end up being a disaster, but Holland, having the right balance of maturity and adolescence, helped pave the film's way to greatness. However, while the rest of the cast, including Benjamin Walker, Cillian Murphy and more, gave realistic performances, they aren't quite as memorable as Hemsworth and Holland was. The rivalry between Hemsworth and Walker's character was one of the more intriguing parts of the film but the rest of the sailors on the ship are sadly mostly forgettable and end up being nothing but whale fodder. While Holland and Walker shine through the rest of the supporting cast, the other sailors on the Essex were unfortunately not as memorable or interesting as the other characters, which does make certain events down the line less intense and heartbreaking.


Ron Howard's traditional style of storytelling is rather effective, for the most part. There is a common theme throughout the film about how man cannot do anything to stop the force of nature. We as men are powerless against the great impact of the ocean's waves and against a creature that's bigger than life itself. Howard depicts a grand sense of scale, which, although looking very computer generated at times, is quite powerful. It was a perfect balance of suspense and awe. I would say that the film does take a long time to get started however. The first act of the film was not as engaging as the 2nd and 3rd acts as they started spearing down these whales. It isn't until the giant bull sperm whale appears that the film actually becomes engaging, which is definitely something they should have worked on in the script. Unlike films like "Jaws" or "Jurassic Park" where they hide the monsters or creature for suspense, "In the Heart of the Sea" never has that sense of suspense when the creature is not on screen. When the whale appears and attacks the boats, it's very frightening, but every time it goes back into the depth and doesn't show its face, we never feel its presence. That sense of something lurking somewhere in the depths that "Jaws" captured so well is sadly not present in this film. However, Ron Howard didn't shy away from tackling very difficult scenes in a masterful way. The final act of this film is hard to watch but also just so incredibly beautiful at the same time, which is something only directors like Ron Howard could achieve.


While the pacing and scripting of "In the Heart of the Sea" weren't perfect, the jaw-dropping special effects more than compensate for the film's flaws. It creates a beautiful sense of wonder mixed with terrifying and haunting visuals. The whales in the film look absolutely fantastic and are a just glorious to see on the big screen. The special effects team captures the weight/scale of these majestic creatures in a tremendous ways and seeing them crashing and attacking these 19th century boats was something out of a "Pirates of the Caribbean" movie, but not in a cheesy sense. The camera work and the CGI painted some of the most gorgeous and ominous pictures we've seen in 2015, however I do feel like the film did look very artificial at times. There were moments where the whales looked extremely realistic and other times where we can clearly see that their skins are a little too smooth to be real. I wished some of the effects could have been a little more polished in the end product but those were only mere moments in the film so it didn't distract from the overall film too much.


Although this won't be a modern classic, Ron Howard's "In the Heart of the Sea" is an entertaining yet painful [in a good way] film to watch with stellar performances from its remarkable cast and beautiful cinematography and special effects that compliment the story in a beautiful way. As mentioned before, some of the film does have a problem with pacing and underusing some of its supporting characters to make them more memorable or relatable, but the cast, cinematography, direction, special effects and messages of the film were all done beautifully. Is it a perfect film? No. Is it one I would recommend seeing? Yes. Definitely, yes. I'd give "In the Heart of the Sea" a 7 out of 10.

Go see it now in IMAX 3D, 3D, and 2D!

My Experience on "SHIN GODZILLA" ("GODZILLA RESURGENCE")


Some of my readers may know that I was away for a few months, working as a production assistant on a film in Tokyo, Japan. Now that I am back home in New York City, I'm able to continue writing for this blog as I have month before. So for my first post back from Japan, I would like to tell everyone what I've been up to.

From August 1st to November 13th, I worked for 93 days as a production assistant on the upcoming film "Shin Godzilla" ("Godzilla Resurgence") at Toho Studios, mostly with the special effects department. There, I have experienced and witnessed so many amazing things. Things I've only seen in behind-the-scenes featurettes on DVD extras and on YouTube. It was there that I saw my childhood hero, the king of monster Godzilla, spring to life before my very eyes. Seeing him look up to the sky and roar sent chills down my spine. It was a sense of awe and wonder that I have never felt before. During the time I spent with the special effects team, I have encountered so many incredible artists, who are all at the top of their game. Being around them every single day and seeing how much passion they bring to every single set piece in the film, really made me appreciate the Godzilla films even more than I already have. Although working for months without breaks and adjusting to a language and culture that I am not entirely familiar with was exasperating, all the pain and stress that I've felt on set was worth it in the end to make an outstanding product. I am so proud to have been part of such a legendary film and to have met so many skilled and talented masters of their craft. The experience I had working on this film will, without a doubt, become useful in the future as I prepare myself to become a film director. But as a Godzilla fan, I felt euphoric every single day I was on set. The word "happy" can not explicitly describe the exact emotions I was feeling as I said "Good morning" and "Goodnight" to Godzilla when entering and exiting the studio. I have never felt more happy in my entire life. 


I truly do want to thank the staff of "Godzilla Resurgence" for making a loving Godzilla fan the happiest man on Earth. I am truly indebted to each and every one of them for changing my life in only 4 months. Thank you to everyone working on "Godzilla Resurgence"!

And now that my journey as a staff member on the film has come to an end, you can all expect my usual movie reviews, news and other related entries back on this blog. Thank you all for being patient with me.

The Dialogue is coming back!

-Yoko Higuchi